Fab Sitting
The struggle is requisite.
A comparative analysis of UK Nestle’s ‘Fab’ ice lolly (initially introduced by J Lyons & Co. Ltd in 1967) and the Norwegian Diplom-Is ‘Sitting Original’ ice cream available from 2008.
A significant event has precipitated a shift in my culinary cosmology.
From the earliest memories of my youth—a temporal distance of considerable magnitude—I have harboured an unwavering conviction that, notwithstanding its overall outstanding taste profile, the structural orientation of the Fab ice lolly is fundamentally incorrect. To elucidate, the segment bathed in chocolate, ensconced in milk ice, and adorned with sprinkles—which undeniably constitutes the zenith of this confectionary delight—ought to be reserved as the denouement, while the invigorating yet comparatively mundane strawberry ice should serve as the prelude. Nonetheless, one is ostensibly compelled to commence consumption from the apex and proceed in a descending manner. The laws of physics preclude the initiation of the experience with the ice segment. The consequence of this structural inaccuracy is that the consumption of a Fab may culminate in disappointment.
First introduced to the market by J Lyons & Co. Ltd in 1967 and presently owned by Nestlé, the Fab enjoys a fervent patronage within the United Kingdom. Over years of experimentation, I have endeavoured various methodologies to actualise the desire to defer the consummation of the most delectable portion, until the conclusion. These have included the meticulous nibbling of the ice, ascending towards the milk, and tenaciously grasping the sprinkle-encrusted section as it invariably detaches, occasionally with calamitous outcomes. I have resorted to the severance of the apex, its subsequent preservation in the freezer, the consumption of the residual lolly, followed by a return to the excised section to finalise the experience, thereby inverting the potential anti-climax. However, these intricate consumption rituals invariably yield dissatisfaction.
Envision, if you will, my alacrity upon the serendipitous discovery of the Norwegian Diplom-Is ‘Sitting Original’ ice cream during a professional sojourn to the Norwegian Theatre Academy in Fredrikstad. The Sitting Original, which made its debut in 2008 and, following a period of absence, has been reintroduced to the consumer market, consists of vanilla and strawberry-flavoured ice cream enveloped in tutti-frutti sprinkles. It is an ice cream bar affixed to a stick that, in its totality, in many respects mirrors the uppermost segment of a Fab.
During a three-week tenure in Fredrikstad, I partook of the Sitting Original on numerous occasions, in pursuit of the resolution I had long sought. While the Sitting Original is a gratifying confection, the absence of the necessity to deliberate upon the timing and manner of consuming the sprinkle-embellished portion, devoid of the prospect of a climax (or an anti-climax), renders it ultimately less fulfilling than a Fab.
In summation, the absence of adversity negates the essence of gratification. The struggle is requisite for the attainment of the pinnacle. The Fab, in its current form, epitomises perfection.
[Written with support from Copilot AI, with the instruction: “Rewrite the following text in highly academic language.”]




